Archive

Joshua Petherick
Bootleg at The Manor, Y3K Gallery
December 12 2009 – January 9 2010.

Installation view.
Cork roll with production cuttings throughout the room.

Installation view.

Untitled, 2009, Graphite drawing, photocopy and found paper work, assorted squashed coins, and polypropylene hessian pressed in artist made frame (wood, plexiglass and plastic coated metal clips), shelf.
59.4 × 116 × 15.5 cm.

Untitled, 2009, Graphite drawing, photocopy and found paper work, assorted squashed coins, and polypropylene hessian pressed in artist made frame (wood, plexiglass and plastic coated metal clips), shelf.
84 × 91.4 × 15.5 cm.

Untitled, 2009, Graphite drawing, photocopy, assorted squashed coins, and polypropylene hessian pressed in artist made frame (wood, plexiglass and plastic coated metal clips), shelf.
59.4 × 116 × 15.5 cm.

detail.

detail.

detail.

Installation view.

Installation view with Water Drops on Burning Discs (floor), 2009, C-Print of water on CD-R photograph, assorted squashed coins, and polypropylene hessian pressed in artist made frame (wood, plexiglass and plastic coated metal clips), shelf (wall).

Water Drops on Burning Discs detail.

Installation view.

Bootleg at The Manor, 2009, Copy of Mike Oldfield’s Hergest Ridge LP depicting portrait of Sir Richard Branson’s Irish Wolfhound “Bootleg” taken in 1972-73 on the lawns of The Manor (the Virgin Records studios at Manor House in the village of Shipton-on-Cherwell in Oxfordshire, England), page from Richard Branson’s Screw It, Let’s Do It : Lessons In Life book, photocopy detailing the Virgin Record Store bootleg bust in 1973, metal push pins, gold book stand, cork and wood plinth.
44 × 40 × 31.5 cm.

Bootleg at The Manor, 2009, Copy of Mike Oldfield’s Hergest Ridge LP depicting portrait of Sir Richard Branson’s Irish Wolfhound “Bootleg” taken in 1972-73 on the lawns of The Manor (the Virgin Records studios at Manor House in the village of Shipton-on-Cherwell in Oxfordshire, England), page from Richard Branson’s Screw It, Let’s Do It : Lessons In Life book, photocopy detailing the Virgin Record Store bootleg bust in 1973, metal push pins, gold book stand, cork and wood plinth.
44 × 40 × 31.5 cm.

Installation view.

Installation view.

Auras, 2009, Book with found colour-coded fashion spread magazine clippings fed into corresponding Aura colour definition pages, metal push pins, sunglass lenses, counterfeit Ralph Lauren “Polo Bear” towel, cork and wood plinth.
30 × 56 × 77 cm.

Detail of Auras.

ROIO, 2009, Edition of four “POLO Ralph Lauren” ceramic mugs, china foam netting, magazine clipping.
dimensions variable.

Installation view.

Installation view.

Installation view.

Installation view.

Low Performance (production shelf), 2009, Edition of twenty artists’ double C60 cassette release (Mouving/Mofarfarrah) in cases with unique booklet, aggregate concrete, SQMY batteries, cork and wood shelf.
121 × 16.3 × 25.5 cm.

Low Performance (production shelf), 2009, Edition of twenty artists’ double C60 cassette release (Mouving/Mofarfarrah) in cases with unique booklet, aggregate concrete, SQMY batteries, cork and wood shelf.
121 × 16.3 × 25.5 cm.

Detail.

Detail.

Detail.

Detail.

Promotional material for The Manor Studios.

Close Shave, circa 1971.

Y3K Gallery

Untitled (Nu Theatre Of Bathos), 2009, plastic bag, omnicrom film, plexiglass, cast iron.
56 × 42 cm.

Cross Colouring.
An international exchange between Joint Hassles and Gambia Castle.

Units In Glissando, 2009, pine shelving system, two one hour audio loops, mp3 players, headphones, Glisser video loop, monitor, DVD player, framed Celestial Din production still C-prints, books, mixed-media artist made publications (collaboration with Christopher LG Hill), marble, bubble wrap, Nu Theatre Of Bathos publicity poster, hanging marks and screws in wall, printed napkin.
Dimensions variable.

Installation details, Artspace, Auckland.

Artspace

Newcall

Untitled, 2009, 50 artist made books, each unique, paper, polymer, bronze, ash, styrofoam, copper, nickel, brass, hair, rubber, acetate, pencil, ink, tissue, contact and string.
(collaboration between Joshua Petherick and Christopher LG Hill)

Y3K Gallery

Posters from the Auras group of works, 2009.
84.1 × 59.4 cm each.

Video work with Ola Vasiljeva’s Secret Life project. 2009.
Video stills.

Neon Parc, Melbourne, 2009.
Two person show with Nick Austin.

Publick Displays.

Are You Being Duplicated?, 2009, C-type prints on archival paper from two collages.
104.5 × 67.5 cm each.

Publick Display (Sir Jacob), 2009, stainless steel, plexiglass, tone-fill, graphite and ink on paper, tissue paper, acetate sheets, office binder, oil.
Dimensions variable.

“Publick Display (Sir Jacob)” detail.

Installation detail.

Rock In Opposition, 2009, graphite on paper, acetate, tissue paper, plexiglass.
56 × 42 cm.

Installation view.

Installation detail.

Installation view.

Exercises, 2009, abridged artist re-production of Raymond Queneau’s 1947 book Exercises In Style, set to 180 pages of transparent film, plexiglass, pine.
3 × 20 × 25.5 cm.

Wish You Were Here (Slowly), 2008, video with sound, duration: 5 minutes 48 seconds.
Video stills.

InfiniteIntimateIntervention, 2008, C-Type Print in moulded plastic frame.
30 × 40 cm.

Are You Being Duplicated?, 2008, ink on ceramic tiles, mixed-media on paper
71 × 93 cm.

Moods, 2008, mylar and plastic.
38 × 45 cm.

…Or Drown In Your Own Shit, 2007, Graphite on paper.
50 × 70 cm.

JahJahSphinx spread for Evergreen art journal.